EVERY PAIR OF BLUE JEANS WAS LIKE A BULLET

Marx, Lenin and Stalin find themselves as stockbrokers in New York City. (three men, simple set)

HOW COOL IS THAT

A brief encounter with a legendary figure (two men, simple set)

A NIGHT ON THE MOON

A paid male escort comes between two old friends (two women. one man)

FUNERAL FOR A FRIEND

Plans are made to mate the husband of a recently deceased friend (two women)

TRILOGY BLUE

Three one acts.

MISSISSIPPI JADE – a white rock and roller meets up with the gate keeper of Hell, an old black bluesman;

AUGIE ABRAMS – a man steals a truck and tries to change his life and his luck in Las Vegas; and

SAINT GEORGE – a lonesome man and a ravaged hooker meet on a street in Hollywood at two a.m., trying to connect.  Three plays about loneliness and ambition.  (4 men, 1 woman, simple sets)

THIRTY YEARS IN SIXTY SECONDS

The 1960’s meet the 1970’s meet the 1980’s simultaneously in a theatrical piece of cubism about truth being a matter of perspective (3 men, 3 women, simple set)

ALL GOD’S CHILDREN GOT EQUIPMENT

A gay man and black woman meet in an emergency room, fall into a violent argument, then suddenly, unexpectedly, touch
(1 white male, 1 black female);

A DAY AT THE OFFICE

Three one acts.

THE GIRLS IN THE OFFICE, I’VE GOT MINE and ONE DAY IN HELL explore a day in the life of a big city law firm; a study in envy, ego, back biting bitchiness, ambition, and barely repressed insanity; a Samuel Beckett world where everyone wants to leave, but no one can.  (5 women, 4 men, simple sets)

EVERYDAY RELATIONS

A Wasp, a Jew and a black man share their unspoken and terrified
thoughts on a late night train ride from Grand Central to White Plains (3 males).

THE POISON PARTY